That Floating Excrement Was Way Too Meaningful! These Are the Television Letdowns of the Year.

Looking back, we reflect on the TV landscape of the recent year, a selection of series emerge not for their excellence, but for their spectacular shortcomings. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Plagued with dreadful scripts, painful character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the third season started, it seemed as if it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator announced this would be the final series. It ended on a bum note; the lingering shot of Miranda’s loo flooded with poo was simply too on-the-nose. Still, viewers undeniably found joy picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The recipient of a exceedingly uncommon zero star review, it was difficult to know where to start listing the flaws. The laughably wooden dialogue? The tedious veneration of wealth and materialism? The almost deliberate procession of tropes? Acting so bad they felt almost malicious? Suffice it to say “each and every one” and never speak of this series again. However, a second season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to endure proximity with this charming but dismissive egotist.

The Iris Affair

Naturally we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

MobLand

Dodgy characters meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were plenty of other issues. Mainly that it was just profoundly dull; a dispute over narcotics territory between various London picaresques which seemed a bit basic.

With Love, Meghan

Considering the extent to which she provokes the ire of the nation’s performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into quaint lifestyle as intentional statements. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be discussed about both Victoria Beckham and her struggles with career, identity, self-worth. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was like reading a sales catalogue. She clearly has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a programme that was trying way too hard to emulate something way beyond it.

Too Much

How do you succeed a show that defined a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

Prime Target

We love the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This globe-trotting thriller about government agencies targeting – and killing off – academics honestly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we wanted was way more interrogation of her actual psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to haul her son away from the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Jordan Maynard
Jordan Maynard

Elena Voss is an experienced journalist specializing in global affairs and economic reporting.