Baby Review: An Astute Depiction of LGBTQ+ Brazilian Hustlers Lost in the System

Channelling the urban restlessness and vibrancy of São Paulo, director Marcelo Caetano's unflinching drama centres on those who inhabit the outskirts of an ever-changing metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the impressionable young man discovers refuge in the arms of others.

On an night on the town with his lively group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler significantly older than his age. Bathed in the wavering neon of a XXX cinema, their initial encounter is physical and passionate, with an hint of risk. Ronaldo swiftly initiates Wellington to the shadowy world of the sex trade and narcotics trafficking.

A Study of Understanding Instead of Sensationalism

The film illustrates Wellington’s new life of crime with gentle sympathy instead of as a sensationalist cautionary tale. Now adopting the moniker Baby, he enters his commercial trysts with cocky bravado and endearing innocence. To his clients, Wellington offers more than his youth and his body, but also moments of care.

In the electrifying chaos of São Paulo, filled with busy lanes and vibrant storefronts, there’s a persistent isolation, as adrift individuals cling on to one another for momentary bliss.

"The urban landscape are fraught with peril, yet they are where they can discover chosen kin, too."

A Complicated Relationship of Love and Control

Ronaldo is simultaneously a partner and a protective father figure to Wellington, but their bond is sabotaged by possessiveness and financial instability. Intimidation from nefarious characters in the shadow economy seem minor next to the dread of institutional observation and imprisonment, epitomized by the hovering figures of police officers in the area.

Baby is most powerful as a keen observation of the disenfranchised individuals who have slipped through the gaps the established structure. The film stands as a moving exploration into survival, chosen family, and the pursuit of identity within a harsh urban landscape.

Jordan Maynard
Jordan Maynard

Elena Voss is an experienced journalist specializing in global affairs and economic reporting.